EditFest Global 2022!

American Cinema Editors is excited to announce that this year’s event will be a hybrid format, allowing guests to join us in person or from anywhere around the globe, without missing a thing!

Saturday Aug 27 – 9:00am – 2:00pm (2 options for attending)
In-Person, Live at Disney Studios – The in-person, live event will be held at Disney Studios (500 S Buena Vista Street, Burbank, CA.  This in-person event ticket includes lunch and networking with the panelists at Disney Studio Masks are strongly recommended, except when eating, drinking or outdoors at suitable distance. They will be available at the check-in table.

Virtual, Live-Streamed –  Virtual ticket holders will enjoy viewing the EditFest panels live-streamed, as well as video networking with editors from around the world in live chat and have access to a variety of engaging breakout sessions.

Sunday Aug 28 –  9:00am – 2:00pm
Virtual, Live-Streamed – All Sunday EditFest ticket holders will view live-streamed panels, enjoy video networking with accomplished editors from around the world, and engage in live chat with access to a variety of energizing breakout sessions.

(click on ticket purchase button for pricing details)

About EditFest

ACE EditFest events began in Los Angeles in 2008, then New York in 2009 and London in 2013. EditFest put editors on stage in lively discussions with attendees. In response to the pandemic and fueled by audience demand, ACE launched EditFestGlobal.com, where editors and attendees can connect virtually. Your ticket includes a membership to EditFestGlobal.com and the print edition of CinemaEditor Magazine.

Keynote Speaker
Eddie Hamilton, ACE

Eddie is currently editing the next two chapters in the Mission: Impossible movie series. Recently Eddie cut Paramount Pictures’ Top Gun: Maverick for director Joseph Kosinski, and Mission: Impossible – Fallout and Mission: Impossible – Rogue Nation for director Christopher McQuarrie.  Other credits include Kingsman: The Secret Service, Kingsman: The Golden Circle, X-Men: First Class and Kick-Ass for director Matthew Vaughn.

His enthusiasm for big screen storytelling is matched only by his total dedication to the craft offilm editing, his nerdy technical expertise and his undisputed love of chocolate. He has given presentations on Avid Media Composer editing at NAB and IBC.

Eddie is a member of the Academy Of Motion Picture Arts & Sciences, American Cinema Editors, British Film Editors and BAFTA, and was on the feature film panel at EditFest London in 2013 and 2018

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