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Editors on Editing “OPPENHEIMER”
Glenn Garland, ACE talks with Jennifer Lame, ACE about editing Christopher Nolan's epic, OPPENHEIMER. Jen has edited such exceptional films as FRANCES HA, for which she was...
Editors On Editing “KILLERS OF THE FLOWER MOON”
Glenn Garland, ACE talks with Thelma Schoonmaker, ACE about editing Scorsese's newest masterpiece, KILLERS OF THE FLOWER MOON. Thelma's other credits include WOODSTOCK, for which...
Editors On Editing “Dumb Money”
Glenn Garland, ACE talks with Kirk Baxter, ACE about editing the rousingly, entertaining comedy, DUMB MONEY. Kirk's other credits include THE CURIOUS CASE OF BENJAMIN BUTTON, for...
Cuts We Love: “Beef”
"BEEF" An interview by Michael Tronick, ACE, with editors Laura Zempel, ACE and Nat Fuller, Emmy nominees for the season finale, Episode 10 "Figures of Light." The scene chosen...
CWL: Netflix’s – The Jeffrey Dahmer Story
"Dahmer - Monster: The Jeffrey Dahmer Story"In this special edition of Cuts We Love, Adrian Pennington discusses "Dahmer – Monster" with Stephanie Filo, ACE — one of the four...
Cuts We Love “Stand and Deliver” video
EDITFEST GLOBALCUTS WE LOVE "Stand and Deliver" Interview by Adrian Pennington, with Nancy Richardson, ACE, editor of "Stand and Deliver", a true story about a teacher in a Los...
From the Vault – “Precious”
PRECIOUS received 6 Academy Award nominations including, Best Picture, Best Director for Lee Daniels, and Best Editor for Joe Klotz, ACE. Geoffrey Flechter became the first...
From the Vault – “Collateral”
In addition to their Academy Award nomination, JIm Miller and Paul Rubell's editing of COLLATERAL produced and directed by Michael Mann, was honored by nominations for the ACE...
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