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Editors On Editing “ANORA”
Glenn Garland, ACE talks with Sean Baker about editing the phenomenal film, ANORA, winner of this year’s Palme d’Or. Over the course of his career, Sean has become one of the...
Cuts We Love: “28 Days Later”
"28 Days Later" Interview by Adrian Pennington with Chris Gill, ACE, editor of 28 Days LaterMore...Explore Your Favorite...
Cuts We Love: “Emilia Pérez”
"Emilia Pérez" Interview by Michael Ruscio, ACE with Juliette Welfling, editor of Emilia PérezMore...Explore Your Favorite...
Cuts We Love: “28 Days Later”
"28 Days Later" Interview by Adrian Pennington with Chris Gill, ACE, editor of 28 Days LaterMore...Explore Your Favorite...
Cuts We Love: “Emilia Pérez”
"Emilia Pérez" Interview by Michael Ruscio, ACE with Juliette Welfling, editor of Emilia PérezMore...Explore Your Favorite...
Cuts We Love: “Beckham”
"Beckham" Interview by Adrian Pennington with Michael Harte, ACE, editor of BeckhamMore...Explore Your Favorite...
From the Vault – “THERE WILL BE BLOOD (5m)”
THERE WILL BE BLOOD, directed by Paul Thomas Anderson, won Academy Awards for Best Acting and Best Cinematography. Editor Dylan Tichenor, ACE, who edited Boogie Nights (1997),...
From the Vault – “ACE HERITAGE BRUNCH 2000 (7m)”
.. . . .Honoring what editing means to the elder ACE Editors became Allan Holzman's gift to ACE as part of his becoming a member. Diane Adler, who served on the ACE Board...
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