Featured in Content:

ACE Presents | Colleen Sharp ACE | Craig McKay ACE | Joseph DeBeasi | Naomi Geraghty | Patrick McMahon ACE | The Silence of the Lambs | Tom Fleischman

AMERICAN CINEMA EDITORS PRESENTS…

American Cinema Editors Presents: Craig McKay, ACE, discussing the editing of The Silence of the Lambs. The panel includes Picture Editors Colleen Sharp, ACE and Naomi Geraghty; Re-Recording Mixer Tom Fleischman; and Composer/Music Editor Joseph DeBeasi, and is moderated by Patrick McMahon, ACE. The Q&A followed a screening of the film at Metrograph, New York, May 30, 2026.

Credits: Directors of Photography & Kayni Narcisse and Brandon Valentin. Editor: Kayni Narcisse.

ACE Presents “Miller’s Crossing”

ACE Presents “Miller’s Crossing”

AMERICAN CINEMA EDITORS PRESENTS... American Cinema Editors Presents: Michael R. Miller, ACE discussing the editing of Miller’s Crossing. Moderated by John Venzon, ACE The...

ACE Presents “Billy Madison”

ACE Presents “Billy Madison”

AMERICAN CINEMA EDITORS PRESENTS... American Cinema Editors Presents: Jeffrey Wolf, ACE, discussing the editing of Billy Madison. Moderated by Robert Nassau, ACE. The Q&A...

ACE Presents “Cool Hand Luke”

ACE Presents “Cool Hand Luke”

AMERICAN CINEMA EDITORS PRESENTS... America Cinema Editors Presents: Bobbie & Molly O'Steen discuss the editing of Cool Hand Luke by Sam O'Steen. The Q&A followed a...

ACE Presents “My Architect”

ACE Presents “My Architect”

AMERICAN CINEMA EDITORS PRESENTS... American Cinema Editors Presents: Sabine Krayenbühl discussing the editing of My Architect. Moderated by Joshua Handler. The Q&A followed...

ACE Presents “Time”

ACE Presents “Time”

AMERICAN CINEMA EDITORS PRESENTS... American Cinema Editors Presents: Gabriel Rhodes discussing the editing of Time. Moderated by Alex Keipper, ACE. The Q&A followed a...

ACE Presents “The Menu”

ACE Presents “The Menu”

AMERICAN CINEMA EDITORS PRESENTS... American Cinema Editors Presents: Christopher Tellefsen, ACE, discussing the editing of The Menu. Moderated by Molly O’Steen. The screening...