Cuts We Love: “Maestro”
Categories: Featured in Content: “Maestro” Maestro Editor Michelle Tesoro, ACE discusses the thoughtful editing for Maestro with Editor Michael Tronick, ACE Recent Posts Editors On Editing “THE DAY OF THE JACKAL” ACE Presents...
Editors On Editing “POOR THINGS”
Categories: Featured in Content: Glenn Garland, ACE talks with Yorgos Mavropsaridis, ACE about editing the brilliant and exhilarating film, POOR THINGS. Yorgos has edited such marvelous films as SILVAS, MOTHERLAND, DOGTOOTH, THE LOBSTER, for which he was nominated...
Editors On Editing “AMERICAN FICTION”
Categories: Featured in Content: Glenn Garland, ACE talks with Hilda Rasula, ACE about editing the brilliant, satirical comedy, AMERICAN FICTION.Hilda has edited such excellent projects as TRANSPARENT, SORRY FOR YOUR LOSS, LITTLE AMERICA, FRENCH EXIT, and...
Editors On Editing “THE HOLDOVERS”
Categories: Featured in Content: Glenn Garland, ACE talks with Kevin Tent, ACE about editing Alexander Payne’s fantastic motion picture, THE HOLDOVERS. Kevin has edited all of Payne’s exceptional features including ELECTION, ABOUT SCHMIDT, SIDEWAYS and NEBRASKA,...
Editors On Editing “THE COLOR PURPLE”
Categories: Featured in Content: Glenn Garland, ACE talks with Jon Poll about editing the glorious new film, THE COLOR PURPLE. Jon has edited such excellent projects as AUSTIN POWERS: THE SPY WHO SHAGGED ME, MEET THE FOCKERS, THE GREATEST SHOWMAN, BOMBSHELL, and...
Editors On Editing “NAPOLEON”
Categories: Featured in Content: Glenn Garland, ACE talks with Claire Simpson and Sam Restivo about editing Ridley Scott’s epic, NAPOLEON. Claire has edited such incredible films as SALVADOR, WALL STREET, PLATOON, for which she won the BAFTA, EDDIE, and...
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