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With credits including Brave, Finding Dory and the recent, charming Pixar short Piper, Sarah Reimers is now firmly established in the leading ranks of animation editing talent. But it was her experiences in film school — and the phenomenal levels of interest by her peers in directing — that encouraged her to pursue editing.
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AMERICAN CINEMA EDITORS PRESENTS... American Cinema Editors Presents: Elaine May discussing the editing of Mikey and Nicky. Moderated by Phillip Schopper, ACE, and Jeffrey Wolf, ACE. The Q&A followed a screening of the film at Metrograph, New York, December 6,...
ACE Presents “The Skeleton Twins”
AMERICAN CINEMA EDITORS PRESENTS... American Cinema Editors Presents: Jennifer Lee discussing the editing of The Skeleton Twins, moderated by Mollie Goldstein, ACE. The Q&A followed a screening of the film at Metrograph, New York, January 25, 2025 Credits:...
ACE Presents “Carol”
AMERICAN CINEMA EDITORS PRESENTS... American Cinema Editors Presents: Affonso Gonçalves, ACE, discussing the editing of Carol, moderated by Michael Taylor, ACE. The Q&A followed a screening of the film at Metrograph, New York, December 21, 2024 Credits: Directors...
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A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
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