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Eoin McDonagh, of Dublin Editors, in a conversation with Úna Ní Dhonghaile, ACE, editor of “Belfast”.
Join us for a deep dive into the editing of Kenneth Brannagh’s Belfast with Úna Ní Dhonghaíle, ACE. We’ll have the inside story of the making of this semi-autobiographical film which chronicles the life of a working class family during the tumult of the late 1960s in Northern Ireland. What happens to the deleted scenes, did it always end like that, what’s Van Morrison really like?
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
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A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
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