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Eoin McDonagh, of Dublin Editors, in a conversation with Úna Ní Dhonghaile, ACE, editor of “Belfast”.
Join us for a deep dive into the editing of Kenneth Brannagh’s Belfast with Úna Ní Dhonghaíle, ACE. We’ll have the inside story of the making of this semi-autobiographical film which chronicles the life of a working class family during the tumult of the late 1960s in Northern Ireland. What happens to the deleted scenes, did it always end like that, what’s Van Morrison really like?
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Cuts We Love: “Beckham”
"Beckham" Interview by Adrian Pennington with Michael Harte, ACE, editor of BeckhamMore...Explore Your Favorite...
Cuts We Love: “John Wick”
"John Wick" Interview by Adrian Pennington with Elísabet Ronaldsdóttir, ACE, editor of “John Wick”More...Explore Your Favorite...
Cuts We Love: “The Matrix”
"The Matrix" Interview by Adrian Pennington, with Zach Staenberg, ACE, editor of "The Matrix"More...Explore Your Favorite...
Cuts We Love: “Maestro”
"Maestro" Maestro Editor Michelle Tesoro, ACE discusses the thoughtful editing for Maestro with Editor Michael Tronick, ACEMore...Explore Your Favorite...
Cuts We Love: “Beef”
"BEEF" An interview by Michael Tronick, ACE, with editors Laura Zempel, ACE and Nat Fuller, Emmy nominees for the season finale, Episode 10 "Figures of Light." The scene chosen...
CWL: Netflix’s – The Jeffrey Dahmer Story
"Dahmer - Monster: The Jeffrey Dahmer Story"In this special edition of Cuts We Love, Adrian Pennington discusses "Dahmer – Monster" with Stephanie Filo, ACE — one of the four...
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