Tenet Jennifer Lame, ACE – the twice Eddie Award-nominated editor of character-driven dramas Manchester by the Sea and Marriage Story – teamed with Christopher Nolan for the first time on the director’s latest globe-trotting sci-fi espionage...
Ted Lasso Professional football (soccer) arrived on TVs around the world with the sound of 25,000 Crystal Palace fans singing The Dave Clark Five’s “Glad All Over” when their team wins a home match at Selhurst Park, which doubles as the stadium for...
Categories: Featured in Content: “Cuts We Love” goes Live! The popular CinemaEditor column is now also a filmed conversation with the renowned editors of each film. First up, is Maryann Brandon, ACE chatting with CinemaEditor’s Adrian...
Tech Corner Don’t Upgrade – Harry B. Miller III, ACE Microsoft creates operating systems that are designed towork on a huge variety of computers, new and old. Most of the hardware it runs on is not made by Microsoft, but by the likes of...
FEATURES:Central ParkNever Have I EverThe GreatThe MandalorianThe Old GuardUploadWatchmen EDITOR’S CUT:ACE Board Message How We Work Meet Zumbrunnen FellowMatt Allen 3rd Qtr, 2020 STOCK FOOTAGE:Aspects of Editing Tech Corner Cuts We Love EditFest Global...
Featured in Content: “Where else can your son and daughter splash in dirty hot-dog water?” Central Park’s theme tune is a witty and warm-hearted paean to the beating heart of the Big Apple. The animated musical sitcom tells the story of how the...
How are editors working during the novel coronavirus pandemic? Amid the uncertainty, ACE conducted a member survey over three weeks in late June and early July, to get a sense of where our community stands in getting back to work. Of those who...
The Old Guard Directed by Gina Prince-Bythewood and adapted from Greg Rucka’s comic book series of the same name, Netflix’s The Old Guard centers on a group of immortals who neither chose their powers nor find their immortality to be...
Never Have I Ever With so many important conversations taking place around representation in media and how we, as a community of post professionals, engage in our own dialogue, watching Never Have I Ever was both a hopeful and often...
