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Nominated for an Academy Award, Elliot Graham, ACE, discusses the editing of “MILK” at 2008 IAVA. He went on to edit “STEVE JOBS” and “NO TIME TO DIE”, winner of the BAFTA Best Edited Feature Award, shared with Tom Cross, ACE.
Courtesy of Allan Holzman, ACE
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
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Cuts We Love: “Beckham”
"Beckham" Interview by Adrian Pennington with Michael Harte, ACE, editor of BeckhamMore...Explore Your Favorite...
Cuts We Love: “John Wick”
"John Wick" Interview by Adrian Pennington with Elísabet Ronaldsdóttir, ACE, editor of “John Wick”More...Explore Your Favorite...
Cuts We Love: “The Matrix”
"The Matrix" Interview by Adrian Pennington, with Zach Staenberg, ACE, editor of "The Matrix"More...Explore Your Favorite...
Cuts We Love: “Maestro”
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A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
A short excerpt from the ‘Virtual Glass of Wine’ British Film Editors interview series. David Fairhead BFE talks about the emotions working in the cutting room.
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