Ozark 3rd QUARTER, 2022Message From the Board FEATURESMoon KnIghtOnly Murders In the BuildingOzarkRussian DollSuccessionThey Call Me MagicTop Gun: Maverick EDITOR’S CUTNAB Returns to VegasACE Annual Meeting STOCK FOOTAGETech CornerCuts We Love IN MEMORIAMJohn...
Featured in Content: Netflix Sneak Peek Panel 1- “The Crown” Moderator: Jazz Tangcay, VarietyAn interview with Yan Miles, ACE about his work on “The Crown” EditFest Sneak Peeks Conversation with Nicholas Monsour –...
The Queen’s Gambit Released at the height of the pandemic, in the midst of a brutal election year cycle, Netflix’s breakout hit The Queen’s Gambit gave us a badly needed distraction from the tribulations of 2020. The Cold War-era coming-of-age...
I May Destroy You A daring and intensely personal drama dealing with the trauma of sexual assault punched through British culture on debut in early 2020 with critics wowed by the series’ convention-defying structure as much as the honesty of its...
Bridgerton Netflix’s Bridgerton is a piece of romantic escapism that chronicles the melodramatic intrigues of London’s high society as young women pursue love and happiness in the spring social season. Adapted from Julia Quinn’s romance novels, the...
Featured in Content: John Venzon | Kevin Tent | Netflix Breakout Sessions 2020 | EditFest 2020 | For Students | How-Tos | Interviews | Technology | Videos American Cinema Editors is proud to present the Netflix Breakout Room session featuring Kevin...
Featured in Content: Behind the Scenes with Stranger Things: The Art of Sound and Video Editing. The editorial and sound teams from season three of Netflix’s Stranger Things join Avid’s Matt Feury to discuss their collaborative process and what went into creating...
