Tech Corner – Control Surfaces Not much is more engaging to me than finding a new piece of technology that can fit into the editing room. My latest discovery is Touch Portal. It is remote control/ macro software that works on a tablet that sends commands to...
Categories: Featured in Content: Julian Clarke, ACE, discusses editing of “District 9” at.Invisible Art/Visible Artists, 2010.Courtesy of Allan Holzman Cuts We Love: “School of Rock” Aug 9, 2025"School of Rock" Interview by Adrian...
Categories: Featured in Content: Glenn Garland, ACE talks with Úna Ní Dhonghaíle, ACE about editing the powerful, moving film, BELFAST, for which she has been nominated for the Eddie. Úna has edited such excellent projects as WHITE GIRL, THE MISSING, and RIPPER...
Categories: Featured in Content: From Invisible Art.Visible Artists 2004: DANIEL REZENDE (Brazil), winner of the BAFTA Best Film Editing Award and Academy Award Nominee for CITY OF GOD. Courtesy of Allan Holzman Cuts We Love: “School of Rock” Aug 9,...
Categories: Featured in Content: Paul Hirsch, ACE has edited over 40 films, among them the first “Star Wars” written and directed by George Lucas, for which he received an Academy Award in 1978, and “The Empire Strikes Back.” In 2005, he...
Categories: Featured in Content: Host, Adrian Pennington interviews Peter Sciberras, editor, “The Power of the Dog”, now streaming on Netflix. Recent Posts Editors On Editing “Frasier” Cuts We Love: “School of Rock”...
Categories: Featured in Content: Eoin McDonagh, of Dublin Editors, in a conversation with Úna Ní Dhonghaile, ACE, editor of “Belfast”. Join us for a deep dive into the editing of Kenneth Brannagh’s Belfast with Úna Ní Dhonghaíle, ACE. We’ll...
Categories: Featured in Content: For the New Year! Stephen Mirrione, ACE discusses “Traffic” at IAVA. Winner of 4 Oscars: Best Picture, Best Supporting Actor, Best Writer, Best Editor. (5m), Courtesy Allan Holzman Cuts We Love: “School of...
Tech Corner – Market Research Before starting my latest job, I had a lot of time on my hands. Because I was in solitary confinement. Not a prison exactly, but pretty close. I had flown into Sydney, Australia, to edit the pilot and several episodes of the...
