EditFest Global Debut More than 800 registrants representing 20 countries participated in ACE’s wildly-successful first EditFest Global – a virtual EditFest event, held from Aug. 29- 30, in response to circumstances related to COVID- 19, which...
Categories: Featured in Content: What Does It Take to Be An “ACE” Editor? Optimize Yourself Podcast by Zack Arnold Recent Posts Editors On Editing “THE DAY OF THE JACKAL” ACE Presents “American Gigolo” ACE Presents...
Manhattan Edit Workshop – Working with DaVinci Resolve Categories: Featured in Content: Manhattan Edit Workshop – In this video, Manhattan Edit Workshop instructor Mark Chandler offers a quick guide for how to use ‘Local...
Featured in Content: And a magnetic timeline crash-course with Michael Yanovich, ACE Recent Posts Editors On Editing “THE DAY OF THE JACKAL” ACE Presents “American Gigolo” ACE Presents “Amour” ACE Presents “Mikey and...
Featured in Content: Final Cut Pro – Basic Scene Editing with Michael Matzdorff Intro by Michael Yanovich, ACE Recent Posts Editors On Editing “THE DAY OF THE JACKAL” ACE Presents “American Gigolo” ACE Presents “Amour” ACE...
Featured in Content: Unauthorized FCPX Assistant editing tips for narrative work of any size – with Jay Frosting Recent Posts Editors On Editing “THE DAY OF THE JACKAL” ACE Presents “American Gigolo” ACE Presents “Amour”...
Categories: Featured in Content: “Cuts We Love” goes Live! The popular CinemaEditor column is now also a filmed conversation with the renowned editors of each film. First up, is Maryann Brandon, ACE chatting with CinemaEditor’s Adrian...
Categories: Featured in Content: EditFest LA 2019 – A panel discussion “From Cutting Room to Red Carpet” with Margot Nack as Moderator and Heather Capps Nena Erb, ACE Robert Fisher, Jr, ACE Eric Kissack and Cindy Mollo, ACE ...
Featured in Content: With credits including Brave, Finding Dory and the recent, charming Pixar short Piper, Sarah Reimers is now firmly established in the leading ranks of animation editing talent. But it was her experiences in film school — and the phenomenal...
