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Tim Squyres, ACE has enjoyed a long collaboration with Taiwanese director Ang Lee, including Life of Pi, The wedding Blanket, Sense and Sensibility, and Eat Drink Man Water. Donn Cambern, ACE, former President of the Editors Guild moderates. Nancy Richardson, ACE asks a question from the audience at the American Cinematheque’s Egyptian Theater in 2001.
Courtesy of Allan Holzman, ACE
From the Vault – “Inglourious Basterds (7m)”
Sally Menke, ACE had a long collaboration with director Quentin Tarantino editing all of his films from Reservoir Dogs to Inglourious Basterds. Sally received Academy Award Best Editing nominations for Pulp Fiction and Inglourious Basterds and three British Academy...
From the Vault – “The Constant Gardener (6m)”
Academy Award winning Claire Simpson (Gladiator II, Wall Street), is a British Film Editor who won an Academy Award and BAFTA Award for editing Oliver Stone’s Platoon. She also won a BAFTA for Best Editing for The Constant Gardener. Courtesy of Allan Holzman,...
From the Vault – “THERE WILL BE BLOOD (5m)”
THERE WILL BE BLOOD, directed by Paul Thomas Anderson, won Academy Awards for Best Acting and Best Cinematography. Editor Dylan Tichenor, ACE, who edited Boogie Nights (1997), Brokeback Mountain (2005), There Will Be Blood (2007), Zero Dark Thirty (2012) and Phantom...
From the Vault – “ACE HERITAGE BRUNCH 2000 (7m)”
.. . . .Honoring what editing means to the elder ACE Editors became Allan Holzman's gift to ACE as part of his becoming a member. Diane Adler, who served on the ACE Board of Directors instantly embraced the idea. An avid sailor and long-standing member of the...
From the Vault – “Children of Men”
Set in 2027 when two decades of human infertility have left society on the brink of collapse. Asylum seekers seek sanctuary in the United Kingdom, where they are subjected to detention and deportation by the government. It was nominated for three Academy Awards: Best...
From the Vault – “THE HURT LOCKER”
Nominated for 9 Academy Awards, THE HURT LOCKER won 6, including Best Picture, Best Director, Best Original Screenplay, and Best Editing. It was the first Best Picture winner to have been directed by a woman. Chris Innis, ACE and Bob Murawski, ACE were also honored...
From the Vault – “CRASH”
Released by Lionsgate Films, CRASH received three Academy Awards: Best Film, Best Screenplay, Best Editing, the ACE Eddie, nine BAFTA nominations with two BAFTA Awards including Best Supporting Actress for Melanie Thandiwe Newton, and the SAG Award for Best Cast. Alan...
From the Vault – “Precious”
PRECIOUS received 6 Academy Award nominations including, Best Picture, Best Director for Lee Daniels, and Best Editor for Joe Klotz, ACE. Geoffrey Flechter became the first African American to win Best Adapted Screenplay. PRECIOUS is based on PUSH by Sapphire) and...
From the Vault – “Collateral”
In addition to their Academy Award nomination, JIm Miller and Paul Rubell's editing of COLLATERAL produced and directed by Michael Mann, was honored by nominations for the ACE Eddie Award, BAFTA Award for Best Editing, and the Satellite Award for Best Editing, which...
From the Vault – “Babel”
BABEL received Academy Awards nominations for Best Picture, Best Director (Alejandro González Iñárritu), in addition to Best Film Editing for Stephen Mirrione, ACE and Douglas Crise, ACE, who were also honored with the ACE Eddie Award. Stephen Mirrione, ACE previously...
From the Vault – “FINDING NEVERLAND”
Interview with Matt Chessé, ACE, who edited almost all of Marc Forster's movies since 2000 including Monter;s Ball, FINDING Finding Neverland, The Kite Runner, Quantum of Solace,, Christopher Robin. and A Man Called Otto. (IAVA, 2005) Courtesy of Allan Holzman,...
From the Vault – Michael McCusker, ACE
Interview with Michael McCusker, ACE, nominated twice for the Academy Award for Best Film Editing, for the Johnny Cash biopic Walk the Line and Ford v Ferrari, winning the latter. Courtesy of Allan Holzman, ACEExplore Your Favorite...
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